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I think that kind of stuff in pop culture really encourages people to think of tattooed women as people they can approach that way or people that have a dark secret, which in my experience, not at all true. I could not count for you the number of times that I have been asked or that my friends have been asked if we like pain, by mostly men, which is a totally inappropriate question to ask anybody. … That stereotype can be really harmful for women a lot of the time, especially heavily tattooed women. I think it encourages people to play out this kind of bizarre, fetishy underworld part of it - that certainly is a part of tattoo history, but it’s not very many people’s daily experience of living in the world as a tattooed person, or especially living as a person who's made the choice to be tattooed. I feel that really rubs a lot of people that are heavily tattooed the wrong way. Kirsten: I think sometimes in pop culture heavily tattooed, especially women … get represented as damaged goods or a person with a darkness. Is there one thing about the tattoo industry you feel gets misrepresented?
And, if they’re not the right thing for you - if you’re not willing to basically give up most of your life to it, it’s not going to be great. There are so many things about it that are great if they’re the right thing for you. But, if it’s not, you’re going to hate it. And, if it’s your best job, it’ll be the best job in the world. If something that I’m going to say is going to affect whether or not you decide to be a tattooer, you probably shouldn’t because it’s a really specific industry. Kirsten: I think that people want it badly enough that they’re going to do it regardless of what I say. Do you have any advice for anyone who wants to be a tattoo artist? I think that and vintage illustrations like traditional tattoos are really classic, so people can carry them for their whole lives without it being totally obvious that they definitely got that tattoo in exactly 2014, or whatever. I do a lot of birds and snakes and stuff too. There’s partially a lot of demand for botanical tattoos. There is an unlimited supply of people who would like that tattoo. Honestly, you could be busy tattooing two roses on a forearm for literally eternity. I’ve really fallen in love with traditional tattoos and sort of found my way back to botanical work. I think that was what I was originally drawn to from the beginning. I try to bring that to the illustrative work that I’m doing now. I feel like that aesthetic is something that is really important to me and really dear to my heart. I feel like I’ve taken to American traditional - I really love it. My personal roots are in American traditional. Kirsten: I would say I do illustrative tattoos. I never have been like ‘oh, no, I wish I hadn’t done that.’ How would you describe your tattoo style? I do feel like every tattoo I get, I feel more like myself. I don’t really have a good answer for why. I think getting tattoos is another way that you express yourself.
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I have learned how to dress myself as an appropriately dressed adult person. I don’t think anybody who knew me in high school would be surprised that I would end up being a tattooed person. And I always wanted to sort of express myself through my outward aesthetic. Kirsten: Like I said, I was always kind of a weird kid. That was about it.” Why were you attracted to tattooing at a young age? I knew that I didn’t want to be a graphic designer. I took all the art classes I could in high school. “I was always kind of a weird kid,” Holliday says. After earning a degree in Rhetoric and Writing from the University of Texas at Austin, Holliday began her tattoo apprenticeship, where she developed an appreciation for botanical art and nature illustration which she incorporates in her American traditional tattoo style.
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One of those artists is Kirsten Holliday, a Portland-based professional tattoo artist who, at age 16, was inspired to join the tattoo world. The exhibition features large-scale, original works of art created by Northwest-based artists who demonstrate the wide range of styles possible in tattoo art. February 1, 2020, Body of Work: Tattoo Culture explores the rich history and modern artistry of tattooing as a dynamic, ever-evolving artform whose mainstream acceptance has been driven by popular culture.
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